The New Russian Sanctions Bill Is Washington’s Monument To Its Criminality
The New Russian Sanctions Bill Is Washington’s Monument To Its Criminality
Paul Craig Roberts
The New Russian Sanctions Bill Is Washington’s Monument To Its Criminality
Paul Craig Roberts
Roughly a month ago, we noted that Republicans might be well served to stop sitting around twiddling their thumbs waiting for the next Russia 'bombshell' to drop and actually go on the offensive against an 'investigation' that has obviously morphed into mass hysteria courtesy of free-flowing leaks from a conflicted "intelligence community" intent upon bringing down a presidency rather than finding out the truth. Here's what we said:
Just hours after the Senate overwhelmingly voted to enforce further sanctions against (mostly) Russia, North Korea and Iran, while binding Trump from undoing any measures against Moscow without Congressional approval, in the process infuriating not only the Kremlin but America's European allies, with Brussels warning repeatedly it will have no choice but to respond in kind, on Friday morning Russia’s Foreign Ministry ordered the United States to cut its diplomatic staff to 455 by Sept.
Authored by Paul Craig Roberts,
America has been a discouraging landscape ever since the neoconservatives took over US foreign policy during the Clinton regime and started the two decades of war crimes that define 21st century America and ever since US corporations betrayed the US work force by moving American jobs to Asia.
The outlook became darker when the Obama regime resurrected the Russian Threat and elevated the prospect of military conflict between the nuclear powers.
Authored by James Rickards via The Daily Reckoning,
Three-player games are easy to model - it’s always two against one. The art of geopolitics and examining hegemony powers in such situations is to be part of a duo that pressures the remaining player, or, at a minimum, keep the other two players separated.
This is basic balance-of-power politics as practiced since the rise of Napoleon (1799), with antecedents in the Treaty of Westphalia (1648), and Machiavelli’s The Prince (1532).